Saturday, July 16, 2011

Sneak Peak In The Art Conservation Lab This Week

Art conservation treatments this week in the lab show handling large paintings and working on the hot table.
Large paintings need special handling to make sure the paint is not stressed (this is a 3' diameter tube):
Large paintings on large diameter rolls
and... doing structural work on two paintings. The closest one needed previous restorations removed and then a new  "lining" to correct and stabilize cracking. The second did not require undoing previous restorations but needed a consolidation and warmth to stabilize flaking.
Oriana Montemurro Working on two paintings
See some of our cool videos on YouTube at our channel "bestartdoc"
Conservation questions? Call Scott Haskins 805 564 3438
Fine appraisal questions? Call Richard Holgate at 805 895 5121
Are you an art collector? Go to www.tipsforartcollectors.org/blacklight-package

Wednesday, July 13, 2011

Watercolor with Mold Has An Interesting Story -


I think this is one of those art conservation stories that’s particularly interesting to art collectors:  I was called one day to look at a framed watercolor by Edouard Vysekal that had mold on it. Turns out that the lady who called was the 84 year old niece of the artist, a well know California artist for whom an exhibition is being organized, right now, at the Pasadena Museum of California Art (PMCA). See the photos, read the story, learn about the exhibition at  http://bit.ly/oC6npi 

Scott M. Haskins

Friday, July 8, 2011

How To Archive Family Photos Cheaply, Easily and Have Fun

Wow! Now I get to walk my talk. We just "inherited" a big box full of my grandfather's family photos. "One more thing in my life to organize?" might be the lament... Oh, c'mon, its not that bad... it can even be cheap, fun and fast to put them into archival storage. See quick video at http://youtu.be/8A_7h4yTskE

Too much to do? It can be quick fun and easy.

Inheriting family photos happens to most everyone sooner or later... it even happens to me, Scott Haskins, author of "How To Save Your Stuff From A Disaster"

Thursday, June 30, 2011

Minerva Teichert's Previously Restored Painting Needs Redoing

This is a detail of a painting my Minerva Teichert, an important Mormon artist at the first half of the 20th century. Its a huge oil on canvas measuring 9' x 8'... and is one of a pair that hang in the LDS Museum of Church History and Art in Salt Lake City. 


More and more the painting was not looking too good, visibly falling apart even though it was restored in the not too distant past: we wondered if it was really clean because it should have been more colorful, and bubbles  were forming where the canvas was detaching from the panel it was glued to. Not until we got it off the wall did we realize that it had been glued to plywood!


So, what's wrong with plywood you might ask? Well, both plywood and Masonite are very acidic materials and cause canvas and paper to deteriorate quickly if they are in contact. In addition to that super non archival product, the choice of a "permanent" glue (any glue you by at the hardware or construction supply store) and you can have yourself a real preservation mess!


As I write this, we are working very carefully to remove the canvas from the plywood in a way that will not stress the paint layers or kink the fabric. As you might guess, our main objective is NOT to get into a mess of flaking or raking paint. Here's a picture of a roll we use to help us handle the artwork as we finesse the canvas off the plywood.

After removal, we'll spend a lot of hours cleaning the adhesive off the back of the canvas that was left behind after its removal. That's a super important needful process in order to have the painting look right when we mount it to a new special panel. More on that later... and maybe we’ll make a short video of the art restoration treatments. Stay in touch.

If you like Minerva's work, like our blog or like knowing about art conservation/restoration and Mormon historical projects, please "Like" this blog post and give a THUMBS UP. Also, please comment! Pass it along to others you know will enjoy knowing the INSIDE SCOOP on Mormon historical items.
See some of our videos on Youtube at “bestartdoc”
Have art conservation questions? Call Scott Haskins 805 564 3438 best_artdoc@yahoo.com
For more info about what's going on in the lab go to www.fineartconservationlab.com
Follow us on Facebook.



Monday, June 20, 2011

Art Conservation of Kent Twitchell's Mural of Biola Jesus - 2nd Video of Consolidation

This short second video shows the treatments that seem to miraculously regenerate the whitened varnish. By also absorbing into those layers an adhesive, the original colors reappear in a startling way.



The work is performed by Scott M. Haskins, art conservator on the mural by Kent Twitchell at Biola University in La Mirada, California. See blog page dedicated to project at http://www.fineartconservationlab.com/twitchell-biola-jesus-mural/

1st video shows tests and examination
3rd video shows Kent's restoration
4th video shows techniques of final varnish

Scott M. Haskins 805 564 3438 best_artdoc@yahoo.com www.fineartconservationlab.com
Kent Twitchell, 310 709 2037

Please pass this link onto others.

Sunday, June 12, 2011

Video: Shows Twitchell Mural "Biola Jesus" evaluated and tested for art restoration

Kent Twitchell's Biola Jesus Mural is evaluated and tested for mural restoration and art conservation http://youtu.be/rOeBj7FdXnA  Please pass along link to others

Saturday, May 14, 2011

Hey, Y'all... I need your help.

Hey y'all. I'm planning to promote an UV Blacklight package for collectors and I have a phone script I need to test. Can I talk to you on the phone? It'll take a few minutes. Call me at 805 570 4140 or email me your phone number at best_artdoc@yahoo.com. I don't need to be your "real life" friend. I'll talk to anyone who wants to chat. It should be a very interesting chat if you like art and collecting. Thanks. TTYS

Tuesday, October 12, 2010

Is Conservation and Restoration the Same Thing?

Eric Hayden French Circuns from San Juan Puerto Rico asks, "Is Conservation and Restoration the same thing? Are you a practicing conservator?


Hi Eric,
Yes, I'm a practicing conservator.

"Restoration" is more a European term. In the US, the word "restoration" is limited to only making something look good (aesthetics) again. "Conservation" is a broader term that includes the processes of stabilizing and addressing issues of deterioration and preventing the conditions that cause damage (lighting, shipping, handling, RH, UV, IR etc).

Most professional art and object conservators (in the US) look down on the term "restorer" because it refers often to someone who is not ethically and professionally committed to the task of conservation and preservation besides restoration. However, restorer is a term that the public most readily recognizes so you will see professional conservators refer to the word "restorer" only for the benefit of the ignorant public.

That was wordy but I hope it answered your question.

We think that people are interested in what we do, so in addition to this blog, we keep a couple of Facebook pages to keep people entertained: check out "Fine Art Conservation", "Tips For Art Collectors" and "Save Your Stuff."

Monday, October 4, 2010

Art Salvage of Giverney Painting - Monet's Colony

I was called by an 80ish year old lady who had inherited a closet full of paintings, all by the same artist V. Radimsky, that her Dad had bought in Paris in 1922. They had never been shown or put up on the walls. They were all on stretcher bars except one that was rolled up like a newspaper and was considered destroyed.

Since, as a professional art conservator, our ethics don't let us get into buying and selling, I was kind of caught in the middle of helping the owner connect with a buyer who bought the whole collection, even though the artist is pretty well unknown. As a thank you, the owner gave me the destroyed, rolled up painting.



The painting was dirty, paint was flaking off, deep cracking patterns distorted the whole surface...not a pretty sight. So, started by carefully consolidating the flaking by absorbing thermoplastic adhesives into the cracks. They we relaxed the cracks and distortions on the hot table and lined the picture. Once lined and stable, we were able to clean it which brought out the original colors, restored depth of field and contrast to the composition. Then we filled the paint losses, carefully and accurately inpainted and then varnish. It was put onto new stretcher bars and... voila'. Ready to go for another 100 years. Was it worth the effort. You decide.



A little about Radimsky: he went to France to be part of the painting experience surrounding Monet's colony. We assumed this painting was of Giverney as others in the collection that looked similar in technique and subject had written on the stretcher bars by the artist "Giverney." Radimski was hit and killed by a car I believe in 1921.