How I Got To Restore Art For The Most Famous Man In The World

What is even more interesting is that this unlikely connection was made at the beggining of my carreer y first private client was the family estate of the most famous man in the world and it was the beginning of working with people long distance By Scott M. Haskins   This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”? See details at end of this blog post. Posted on July 8, 2023 about a look-back at events of 1977-78

As I write this and post it, I am in Florence, Italy looking over a job for the US Consulate/Embassy who are concerned about cracks in affrescoes in the historical building where the Consulate is located, poor quality previous restorations, removing repainting over historical paintings and design details. Its been 45 years since I finished my upper division studies in painting conservation here in Italy and I have been thinking about some of the circumstances that got me started in my profession. Let me tell you about three foundational experiences that proved to be important for my future and that will tweek your interest if you are into art, historic preservation, art restoration, Italy etc… and a good story. I’m often asked how I got started. So, here I am in 1977  (45 years ago)…

I was approaching the end of my three-year master’s degree level, fine art conservation program (1978) at a Lombardy Regional satellite center of the Istituto Centrale di Restauro in Rome. In addition, I considered my efforts to experience “extracurricular work” a supplement to my formal program work, which, justifiably, was not production oriented and was very slow paced. In an attempt to see a balanced picture of the art conservation profession, I had applied and been hired at a local “hack shop” restoration bottega, where they were specialized in quick, cheap work and low prices. It seemed Sig. Bertoldi liked me but given my newly acquired academic and professional practical skills, I was not as quick to complete tasks as he wanted, and I refused to clean paintings with a mop, figuratively speaking. His techniques and speed at cleaning paintings, especially 19th century art, often resulted in extensive damage to the painting’s original paint layers in the process, and then his shop just re-painted… it was a good education about “the other side of the tracks.” Soon after the employment with Signor Bertoldi ended, a coworker from the bottega referred a client to me for work to be done on my own. I felt ready to “give it” a try. It seemed my friend from the bottega must have said some kind things about me because my new client, Mr. Montini did not seem uneasy about working with me. I thought it was interesting that, even though he lived outside of town that he would drive an hour on a two-lane country road to come and see me… and he didn’t seem too bothered to do it again to pick up his restored item when I was finished. He was obviously very pleased with my work, and maybe that helped him justify the travel time and effort. He then, enthusiastically, invited me to come to his house and look over some other things that could be restored. So, my first private transaction was a big success. Now it was my turn to negotiate the two-lane country road, up a valley and through small towns just north of Brescia, Italy. The Valletrompia today may be one of the areas of Italy with the highest per capita income due to the numerous cottage industries of international renown. It has had an active population consisting of many towns since at least medieval times and was probably in an active transit corridor during Roman times. Within the year, I would be coming up this road again to undertake a project on behalf of my formal art conservation training program. At the top end of the pre-alpine valley is the town Lumezzane, and in the Romanesque-turned-Renaissance parish Church, I was given an affresco to work on as part of my master’s degree final exam.

But a ways before the end of the valley is the small, sleepy, poorly lit, non-descript town of Concesio. It was late in the afternoon before I arrived, and it was suggested that I arrive before it gets dark, or I would never find my way around town (decades before GPS was invented). The detailed directions brought me to a large unlit residential compound, that was the only construction on its side of the street and left little room for a sidewalk along the narrow street with its 3 story wall and the huge front door, all very plain and very old…  I was thinking, probably at least 300 years old. Although, big, exclusive, and ancient, it was not at all architecturally or artistically noteworthy. In fact, everything could’ve used a cleaning and some fresh paint.

Mr. Montini, himself, answered the front door with a smile and a handshake, dressed as before, in well used, casual clothing, and welcomed me inside.  I walked into the predictably cold interior of the huge, cavernous, dimly lit, poorly heated, rooms. My previously restored item had a place of honor in the huge hallway by the front door. Perhaps that was its downfall as the cleaning lady kept this area, looking better than the rest of the house, and had accidentally knocked it to the floor. Mr. Montini was very nice and made several nice comments and noted my work as we walked by. As soon as I entered the house, I already had a broken neck noting everywhere, practically, that the walls were full of framed paintings and textiles. The artwork was displayed, hung gallery style, from the baseboard to the crown molding on absolutely every wall of the house and the ceilings had affrescoes.  The paintings were hung only inches apart and covered completely the 10-15 foot walls of the hallways, large rooms and every room and passageway that I could see as we passed. They even covered the walls of the bathroom I visited. I’m not exaggerating when I say that there were literally thousands of paintings small to very large (today, the residence has been made into a memorial and museum and appears MUCH different than when I visited). Mr. Montini of course, was not trying to impress me, nor satisfy my kid in the candy store look on my face. He was nice and conversational, but he did not seem to know a lot about the artwork or furnishings and made no effort to turn on special lights to show better the art as collectors like to do when they have visitors. After we got past “the pleasantries” and he got to know me a little better, he divulged that I was sitting in the family estate of the ancient and powerful Montini family and the childhood home of Giovanni Battista Enrico Antonio Maria Montini, the present/current day most famous man in the world… Pope Saint Paul VI, presently, at that time, in authority in the Vatican.

The Mr. Montini in front of me, was a cousin, and had been appointed by the family as the caretaker of the estate. He told me all this matter of factually with no flair or need of recognition. In fact, I had the sense that the whole thing bored him terribly! It was a nice visit, and when it was over, I left the house with a darkly painted 18th century oval portrait of an ancestor count or duke or something or other. Thinking back on that project portrait he gave me, it was probably a test, once again, to see the quality of my work. While the work on the painting was fairly straightforward visually, oval portraits can sometimes be tricky when doing structural work.

Apparently, I passed my test with flying colors and he was enthusiastic about the results of the painting conservation treatments when I delivered his painting on my second visit. We sat and had cookies and hot chocolate, while I was encouraged to tell my story, and he enjoyed inquiring about my opinions about how to resolve the problems of the world. But we did not talk about art! I guess by this time I was fully vetted and my work appeared to him to be of high enough quality that he enjoyed the expression on my face when he consigned to me a 4’ x 2’ painting on canvas of a male clothed figure painted in the mid 1500’s by Paolo Veronese (I think he told me that someone in the family bought it directly from the artist! It looks stylistically as if it came from the planning of San Sebastiano in Venice)

Wow. I thought it strange, though, that despite the fame and value of the painting he gave to me to work on, he never checked in on me, or asked to visit me during the couple of months it took me to return the work to him. Also, interesting to me was the trust that he gave my professional opinion about what needed to be done and without question, agreed to everything I suggested. And that was the beginning of working autonomously in my new profession of art conservation. It was 100% a positive experience and a good start. If this is your first time on this blog, poke around to see other interesting articles, videos, testimonials. There are pull down menus under the rotating photos in the header of the website. Please leave this article a "thumbs up" at the top of the page and a comment at the bottom of the page. Thanks! Want to know more about Fine Art Conservation Laboratories today? Our firm, Fine Art Conservation Laboratories (FACL, Inc.) is called in often to clean, preserve, restore and even remove and reinstall murals, treat water damage on paintings, stop and preserve paintings with flaking, repair rips, stop cracking and much more For general mural conservation capabilities videos: https://www.youtube.com/watch?v=ld4l6EG8T-I&index=13&list=PLE1FF71CC598A8E79 For our mural capability statement: http://www.fineartconservationlab.com/mural/ For our mural consultation statement: http://www.fineartconservationlab.com/consultations/ Our mural conservation videos on YouTube at https://www.youtube.com/playlist?list=PLE1FF71CC598A8E79 If you have questions, call:  Scott M. Haskins 805 570 4140    faclartdoc@gmail.com  Or Virginia Panizzon, Veteran Art Conservator 805 564 3438 office p.s.  If you would like to know more about what you can do to protect and preserve your original family history items, collectibles and memorabilia click on this link for a free copy of Scott M. Haskins book Save Your Stuff – Collection Care Tips, 210 pages with 35 embedded how-to videos. p.s.s. CLICK HERE for our YouTube channel - Subscribe!  See quick video on Discovering Hidden Signatures on Paintings! http://www.youtube.com/watch?v=kxOqa-Aa9Nk This blog post has been syndicated at ExpertClick.com. What does it mean that this article is “ syndicated”?  It's a bit of a coup to get an article syndicated, and its certainly prestigious, as additional "proof" that the info and the author are considered far and wide authoritative and an expert in the field. So, enjoy and trust our content!! This article was syndicated for USA national redistribution. When something is published, usually by a news source, and is made available through different venues for redistribution then it is said to be syndicated. Publications that are syndicated are usually considered of value as being from an expert, educational, newsworthy or valuable for wide popular interest. See syndication page at the renowned publicity site: https://www.expertclick.com This website's syndication included: 1) Included in the ExpertClick Press Room as a ‘press release.’ (different than a ‘news release’) 2) Included in the ‘Speaker Bureau Platform Page.’ 3) Shown on the front page of ExpertClick, in rotation with other most recent posts. 4) Shown in the ‘News Release Results page.’ 5) Included on optimized for searches on all my topics of expertise. 6) Shown via RSS linked from the Press Room. (A specific way news is actively distributed within the industry) 7) Shown in the full RSS feed from ExpertClick. (Another, different specific way news is actively distributed within the industry) 8) Syndicated to LexisNexis.com As of 2006, the company had the world's largest electronic database for legal and public-records related information, distributor of academic content and expert opinion. This article has been syndicated at https://www.expertclick.com

Gorgeous Gilded Age Society Painting Dented by Freak Accident Art Restoration

This video entertains you with a story about surprising impact damage on 19th century paintings of high society fashion with some tips on condition from an art conservator. See several paintings of gorgeous women in The Gilded Age Society, paintings by the French-Italian Master Artist Frederic Soulacroix.

    

Call us for a pleasant chat about your art restoration questions: 805 564 3438 Scott M. Haskins, Oriana Montemurro, Virginia Panizzon Art Conservators.

Click here for our blog/website: http://www.FineArtConservationLab.com

Click here for our YouTube channel: http://www.YouTube.com/bestartdoc

Ripped Oil Painting Art Restoration Ventura, Thousand Oaks Testimonial

A treasured painting, a memory of early years, was ripped when a ladder went though the middle of the painting creating an ugly rip. Referred by a local museum, she called Fine Art Conservation Laboratories 805 564 3438 faclartdoc@gmail.com

Art conservators/restorers Scott M. Haskins, Virginia Panizzon

Leave a comment!

Have questions and want to chat? Call us. Click on the link to see a short video tour of the lab.

Monday - Friday 9-5

Art Restoration, Painting Conservation, Art Conservation, Repair Art Los Angeles, Santa Monica

A new video shows a summary of our art conservation and painting restoration work in the Los Angeles, CA area. 

http://www.youtube.com/watch?v=b5K5CIUWVp8

http://www.fineartconservationlab.com/  Highest quality professional art conservation and restoration services. Door to door service. Conservation questions? Call Scott M. Haskins 805 564 3438  Also, fine art insurance claims consultant and expert witness in art related matters.

See who our clients are and about our background.

Testimonials: http://www.fineartconservationlab.com/testimonials/

Consultation resume: http://tipsforfineartcollectors.org/consultationsurveys/

About Scott Haskins: http://tipsforfineartcollectors.org/about-scott-haskins/

Subscribe to our YouTube Channel: http://www.youtube.com/bestartdoc?feature=mhee

Keywords:

faclinc, Art Restoration, Painting Conservation, Restoration of a painting, Painting restoration, Art Conservation, Repair Art, Clean a painting, fix a rip in a painting, Scott M. Haskins, Japanese American National Museum, mural conservation, mural restoration, Jonathan Club, WPA murals, Olympic Murals, Los Angeles, Santa Monica, Beverly Hills, Marina del Rey, Brentwood, Belair, West Hollywood, Pasadena, Glendale, Alta Dena, Encino, Pacific Palisades, Mailbu, West Los Angeles,

Family Portraits - Do your ancestors feel your love?

What are Family Portraits worth? Some are valuable, some are important historical figures and some are only valuable to you and your family.

Here are some that have passed through our painting art conservation lab where we have given them some tender loving care.

You may find it funny that ALL OF THESE PORTRAITS are family ancestor portraits. Here's the video: http://animoto.com/play/4TyVeNlWuFOdGSiCGElGHg

All my best

Scott M. Haskins, Painting conservator

Mexican Art Master David Alfaro Siqueiros Mural "Mexico Today" Moved

In 1992 a move was afoot to move a famous mural by Mexican Master David Alfaro Siqueiros from the Palisades in Los Angeles to Santa Barbara, CA. It was a BIG deal and the final details were nothing short of an art conservation miracle. The story of the whole mural restoration project is so interesting that, if you like art,  I am sure you will want to see the 30 minute professional video. I was part of the team of painting conservation experts responsible for the saving and moving of this rare mural by one of Mexico's most famous artists of the 20th century. Leave a comment! http://www.youtube.com/watch?v=ACRmeSkgCaA

Art conservation questions? Call Scott Haskins at 805 564 3438

Nice Paul Lauritz Seascape for Sale - Art Collector Asks Condition Questions

A California Coastal Scene 30 x 36 by Paul Lauritz, very nice, recently came up at auction and a potential art buyer consulted with me regarding the cracking patterns (see upper left of photo). These were his questions and my answers:

1.     Are the cracks going to get worse?

2.     Do the cracks impact the value? 

3.     Can the cracks be removed with proper painting conservation treatments (lining)? 

4.     How much will lining cost? 

5.     Is the correct term “lining” or “relining”? 

6.     Can the artwork look perfect (without cracks)? 

7.     Does the artwork need to be cleaned?

8.     How much will cleaning cost?

9.     Will the art conservation treatments impact the value? 

This collector/investor was thinking of flipping this painting (quick turn around resale after purchase). So, obviously, this inquiry was all about the numbers. Would you like me to crunch numbers with you?

See the answers to these questions and an interesting discussion about value at http://goo.gl/BzvX2

 YouTube videos I’ve posted are at “bestartdoc” channel (CLICK on “bestartdoc”).

Feel free to contact me with your condition and art conservation questions: Scott M. Haskins 805 564 3438 See a short video tour of our painting conservation lab at http://www.fineartconservationlab.com

Other articles of interest to painting collectors can be found at http://www.TipsForArtCollectors.org

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Scott M. Haskins

Painting Conservation - Restoration Can Help You Find a Treasure

Whether you are interested in this from an insurance point of view, a resales point of view or a collector's point of view,  you may find this blog post interesting: Painting conservation and restoration and how it affects sales - an example from the LA Art Show http://ping.fm/KrVKm 

If you find the article interesting, please leave a comment, pass it along to others and click on the THUMBS UP.

All my best

Scott

Ever Heard of the Mission Inn in Riverside CA?

Ever heard of the Mission Inn in Riverside CA? I love this place! I think of it kind of like a Hearst Castle but you can stay there. Its got the same kind of feel to it though the appearance of the property isn't similar. If you already know about the Mission Inn, you may find this info interesting:

Our lab has worked on (preserving, restoring) the hundreds of paintings around the Mission Inn and designed and planned exhibits and placements in the public areas. We still do work for them and consult. The photo is of the Spanish Art Gallery, a favorite place for receptions, is full of Spanish Colonial Paintings. There are some great works of art to be seen including a major work by William Keith and the original series of 38 paintings of the Missions of California by Henry Chapman Ford from 1870's.

Go to missioninn.com and try Googling "Spanish Art Gallery" and "St. Cecilia's Chapel". Poke around. You'll see what I mean about it being a fun place, romantic and the food is very good too.

Careless handling and an 18 inch scratch. What did we do about it?

There's nothing that makes you feel dumber than carelessly handling something valuable, like a painting, and then damaging it. In this case, the result was a big ol' 18 inch scratch. The insult to injury is the cost to repair the damage... and maybe even some loss of value!

So, why does it cost $400 instead of $50? Well, we take some conservation quality adhesive/consolidant and we apply it with a tiny brush. We inspect the damage with a magnifier to see that its going where we are intending it to go. Then we make sure any flakes are well adhered so we don't loose any original paint. Then we "inpaint" or touch up the lost or damaged paint with a tiny brush to make sure we don't overstep the damaged area. We put paint only where the damage is. We DO NOT repaint a bush to camouflage a scratch. Then we apply, in the case of this painting, some varnish (non yellowing) along the repair to bring the shine to match the original paint.

Have a question about the appraisal? Go www.faclappraisal.com and speak with Richard Holgate (805) 895 5121

Look at this rip! Want to see some magic?!

This rip, on the left, was kind-a ugly: Ripped when the nail gave way and it fell off the wall. See entry at our other blog (www.savemystuff.blogspot.com). It ripped the fibers and got uglier when the fibers frayed.

So we turned it over and, under magnification, the fibers were realigned and rewoven. Then the ends of the fibers were "re-welded" back together. The photo on the right is the back of the rip after the "re-welding" and readhering of the ends back together. Nice, huh?

Even though the rip looks great and is now flat, the stress from the impact will result, in the future, in a disfiguring spiderweb or bull's eye type cracking pattern. So this painting will be lined to keep that from happening.

George Washington Is In The House!

By far, the most famous portraits of George Washington were done by Gilbert Stewart at the end of the 1700's. Its kind of cool to see one up close and personal... even better to massage it. We got to put our fingers all over this one by giving it a light surface cleaning, a couple of spots of touch up (inpaint) and a new varnish. Now he's all prettied up for the holidays!

Surprise, surprise... they did what I asked!

As the previous blog entry said, I went to see the masterpiece painting that had dropped off the wall. So guess what happened? BOTH bolts that were holding the hanging hooks into the wall got RIPPED out of the wall (they were obviously NOT enough for the weight of this large painting) and the whole thing, painting and original frame, came crashing to the ground! Fortunately when it hit the ground, it didn't fall over onto the items on the desk nearby (whew!). So, when I got there it was still on the floor,upright, leaning against the wall where it had fallen with all its debris. The lower right corner hit first giving the whole thing a good shake and busting open a bit wider the join in the frame. And, as you can see in the photo, a chunk of paint fell off about the size of 4 quarters all lined up. I was surprised that they actually did what I asked! They put the loose pieces of original paint in a film (slide) box. I can put those pieces back. I'm pretty good at doing puzzles.